Call the midwife, series 9,the RadioTimes photoshoot

09/07/2019

Hi Nadia,

I hope you are well! Was wondering whether you’re interested in doing the jewellery for this….

I’ve been fortunate enough to work with costume designer Claire Lynch on a couple of films as well as series 8 of Call the Midwife.  Her briefs to me are brief,  but I am now familiar with her passion for costume and her eye for detail , so we have a great understanding.

For this shoot I was given 3 images taken from the original 1965 Vogue shoot of the YSL ‘Mondrian dresses’ , the accessories were really entirely up to us to create and design at our studio.

‘Escaping’ to 60’s fashion is my happy place in any case, so it was a task my team and I relished.

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We focused primarily on two aspects which were geometry and colour.  However, instead of echoing the square and rectangular silhouettes we chose circles and curves with geometrical pattern inlays. And then of course there are those extra large 60’s pearl drop earrings, possibly too heavy for a night out but work perfectly on a shoot.

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It took a total of 6 months from brief to development to shoot to publication.  Having seen the ‘behind the scenes pics’ the hardest thing was keeping quiet about it, but we did.

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We can finally shout about, what a perfectly beautiful cover and shoot!

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Bag fit for a blogger

My sister in law Sharon, is a lady of many talents. Apart from being a photographer and global traveller, she is also an amazing cook, consummate foodie and writes her own food blog.

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It goes without saying that as my sister-in-law she has a decent collection of Nadia Minkoff handbags, mostly large bags that can accommodate her camera and lenses and are suitable for travelling.

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So when we launched our Borough Camera bag she was intrigued to know if it would work for her ‘ bloggers’ camera and we decided to let her test-drive it and tell us what she thinks.

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So here we go, Sharon and her Borough Camera bag, on location in Cadiz Spain. And for those wondering the camera is a Fuji X-T20 with a 18-55 lens.

We’re happy to confirm Sharon has advised that bag, camera and photographer are very well matched!!

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The BaH Collection launches for Winter 2019

“The dictates of work are as compelling for a woman as for a man”

(Barbara Hepworth)

Sculptor, Barbara Hepworth, has been an inspiration throughout my life. An all-time favourite of my mother, I was introduced to her work at a young age and grew up with it. Initially fascinated by her smooth tactile textures and by her abstract yet natural forms, I later discovered her remarkable strengths as a woman and artist.

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A trip to St Ives in 2019 to visit both Tate St Ives and The Hepworth’s Trewyn studio & garden was so captivating, it became the backbone of my Nadia Minkoff London ‘BaH Collection’.

“Ideas come with a rush in a place like that & I feel that forms will become concrete at great speed.”

(Barbara Hepworth, The Sculptor in the Studio/Sophie Bowness)

St Ives was battered by gale force winds on the day of my visit, so strong as to make it impossible to walk along the waterfront, it was eerily quiet and deserted bar the noise of the wind battering the rooftops and whistling down the narrow cobbled alleyways of St Ives.  I had the fortune of experiencing Trewyn studios and garden entirely on my own, apart from a large tabby cat, happily asleep next to the door.

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The BaH Collection is a deeply personal homage to Barabara Hepworth’s work, studio and her many attributes which I have found so inspiring:

Ambition, determination, clarity of shape and form, balance and the ability to translate female physical experiences into her art.

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“The BaH collections aesthetics and colours are drawn from this journey, minimal and clean I hope they encapsulate my interpretation of Barbara Hepworth whose enduring legacy continues to be as remarkable both as a female trailblazer and as an artist.”

 

The St Ives Tote bag exploring curved edges and smooth metallic leathers

The st Ives tote silver

The Full Circle belt bag, designed to be both feminine and functional

Full circle belt-shoulder bag silver black

The Barbara Half Moon bag, sculptural and stand-alone

The Barbara half moon bag , bronze

The ‘kelp green’ leather Rena bag, a nod to the garden and sea in an oily, textural leather

The Rena bag , Kelp

 

 

The Abstraction pouch, minimalist, clean and timeless

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Giving back….A bag for Rena

London, 2019

A bag for Rena

In March 2016 I lost my mother Rena to cancer. I should say ‘we lost’ as I am the youngest of 5 plus Rena had grandchildren, family and many friends. We all lost.

When diagnosed, Rena decided not to fight; she wanted no treatment, only to be allowed to go peacefully. Seems cancer had a very different agenda. It fought Rena till the very end, fiercely and systematically stripping her of anything she enjoyed and loved. A librarian and voracious reader, not being able to read was the last straw. She carefully placed a much-loved handbag next to her, in it her hairbrush, lipstick, wallet, the last letters and cards she’d received and the book she had begun and longed to finish reading.

Shortly after her passing I designed The Rena bag in her memory, based on her special handbag.

Although Nadia Minkoff London had been making regular donations to the Royal Trinity Hospice since 2002, I don’t think I fully grasped the extent of the incredibly difficult, yet absolutely vital service Hospices and Palliative carers provide until I experienced this first-hand.

It took me 3 years to bring myself to talk to the Royal Trinity Hospice about The Rena Bag; I guess sometimes we simply need to give ourselves time to recover. But on the day of the third anniversary of her passing, I contacted them to let them know how much I would like to support them by giving back profits from the sale of The Rena bag to help them.

For every Rena bag sold we can fund a clothing kit for a Trinity Community Nurse, or 5 days’ worth of equipment for the Art therapy workshops held by the Hospice, or nearly 2 days’ maintenance of its award- winning gardens that offer much needed tranquillity to patients and their loved ones.

So please join me on this journey.

Trinity Hospice may be London based but what it really comes down to is helping people, no matter where they are, throughout the hardest of times.

 

Nadia xx

 

 

Vive Paris

Location: Paris

Bag: The Richmond midi in Blue

Photography:Brian Minkoff photography

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What a difference a day makes….

When shooting our blog post in Paris a couple of weeks back, the fire at Notre Dame could not be imagined.  It would be impossible for us to post this blog without reflecting on this.

Notre Dame is said to be Paris’s most visited and beloved monument, surpassing both the Eifel Tower and the Louvre. Having weathered many a storm since construction on it started in 1163, no one would have thought that 850 years later Notre Dame’s main spire and roof would be ravaged by a massive fire.

The world now watches as France and Parisians start the difficult task of establishing the full extent of the damage and work towards rebuilding its finest monument.

We will take this opportunity to wish you all a Happy and relaxed Easter- recharge, spend time with family and friends, eat chocolate 😊  We leave you with photos of an overcast but beautiful Paris.

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The Undergrowth Collection/Spring Summer 2019

undergrowth

noun

BRITISH

  1. a dense growth of shrubs and other plants, especially under trees in woodland.

“they cleared a path through the undergrowth”

Eliot Hodgkin, Undergrowth 1941 and Two plants by Lucien Freud 1977 (Tate collection) are the inspiration behind the new Nadia Minkoff London summer 2019 collection.

“I was immediately drawn to both these painting because of their meticulous detail and soft, subtle, earthy colour pallet. Having researched them the story of how and why they came to be, really resonated with me”

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Eliot Hodgkin painted ‘Undergrowth’ in London during his days off while serving as an air-raid warden

‘What I want to paint are the things that have been seen so often that people no longer notice them.’

‘Two Plants’ by Lucien Freud took 3 years to complete. He describes it as ‘lots of little portraits of leaves’, adding ‘I wanted it to have a really biological feeling of things growing and fading and leaves coming up and others dying’.

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Blush,Beige, Yellow, Green and Tan are the key colours for the Undergrowth collection with pops of blue and orange.

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There is movement in the soft fringing of The Angel bags

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Architectural structure in the form of the Borough bags

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And layers to explore in the Richmond midi horizon.

The Nadia Minkoff flower logo has been reinterpreted as a 3D Origami flower adding softness and optimism   “my interpretation of things growing  and fading”

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“what I would describe as ‘undergrowth’ is definitely shaping the world we live in, for better or for worse both politically and culturally. Fashion as we know always draws from art and is often a political statement. For all the unrest and uncertainty, I was determined to make My Nadia Minkoff London summer 2019 collection a positive one, all about the beauty in noticing things that we no longer notice”

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Artisan made from the finest leathers, in small batches and with Zero waste, much time and thought is invested into each and every bag  “at Nadia Minkoff London we think about the things you see and the things you don’t, anything to make sure that your journey with our bag is a better one”

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Photography: Oliver Papp

Model: Eloise Hymas

Styling and Make-up: Jonas Oliver

In your stride or how to get your bag to multi task for you

Come February and we all want a wardrobe update, could be a clothing update,  a shoe update or a bag update, even if we don’t really really need it… we kind of do.

Interestingly at Nadia Minkoff London we think there is a methodology of getting your bag to multi task for you, seriously we do!

So just the one bag update to see you through transitional (i.e. in between winter and summer) as in right now, followed by a great summer innings and back again for Fall transition (i.e from the end of the summer hols till before the festive season).

The key is actually in the contrast colours you wear your bag with.  For demonstration purposes we’ve chosen two key colours:

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Black , in the form of our Islington fringe Bucket bag

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and Orange, in the form or our Angel bag

Our thinking behind this is that black is black , always safe, always smart and just well…..always.

Orange is often referred to these day as ‘The new Black’ , a few years back it used to be anything but safe but these days it is a wardrobe staple and a safe investment.

So this is how to get your black or orange bag to multi task for you

For Winter to summer transition: wear your Black bag with orange or your Orange bag with Black

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 For Summer– wear your orange bag or your black bag with white, keep it very pure and very clean

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For Fall transition– wear your orange bag or your black bag with beige and frame with a little more black- black shoes or boots, black scarf or black coat.

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Colour blocking is always fresh, so take each season in your stride, it’s that simple!

Make it a London Christmas / Part 2

I have found concluding 2018 difficult, it’s been a tough year in general ,most certainly for the High Street and for anyone who works in fashion. I wish I could say I am ending it on a high and feeling optimistic for 2019, hard as I try I am not. But I most certainly don’t want to end it on a low and I am certainly hopeful that 2019 will surprise me for the better.

I will let London, my source of inspiration,do the talking for me. Captured by photographer Dennis Madden over the festive period and right up to date 31/12/18, New Years Eve.

From Trafalgar square, to China Town

Trafalgar square

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The all new Coal Drops Yard in Kings Cross, and the iconic Royal Albert Hall

Coal drops yard

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From towering Christmas trees in Euston, to ho ho ho in Soho, and some much needed Angels in Regent Street

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Regent st

Spectacular skies over Waterlow Park in Highgate

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And last, but most certainly not least, my very own Waterloo sunset

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Wishing you all health, happiness and good fortune in 2019

x Nadia

Make it a London Christmas/ part 1

Photography: Dennis Madden 

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Those who know me know the diversity found in London is the backbone to my brand, Nadia Minkoff London   and a constant source of inspiration.

But as 2018 draws to a close I have doubts and concerns over London’s future, a sentiment I believe I share with many a Londoner. So in this, the first of my two part ‘Make it a London Christmas’ blog I will attempt to share London snapshots,taken over the first two weeks in December by photographer Dennis Madden as he captures my musings through his lens.

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I start my journey at The Thames Barrier, recently highlighted in the news

Are we really down to 15 years before we sink?

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In the shadow of The Emirates crossing  and City Airport flight path, just past the waste land, extensive riverside luxury developments being built. I wonder if there is anywhere affordable left in London?

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Well, the wading birds still seem happy enough in Victoria Park, aka Tower Hamlets ‘people’s park’ and the winter sun makes an appearance, shinning through the Holly, I do love a good London park, it feels familiar, all are equal here

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In upmarket Fitzrovia the Victorian toilets are now a speciality coffee and brunch cafe
We love our speciality coffee us Londoners, especially me and in an old Victorian toilet?? it’s a win-win

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Regents place on the North side of Euston Rd  is unrecognisable, what a face lift and so festive with it. I wonder if London can continue to regenerate like this in the next few years, so who’s going to be moving into these offices and buying these flats?

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Back in North London the Victorian street lamps light up Alexandra Palace. It is becoming decisively grey and chilly, but atmospheric like a film set.  I Haven’t decided the ending yet, it’s a cliff hanger at the moment

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The HH Collection

 

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Howard Hodgkin ‘Absent Friends’ retrospective at The National Portrait gallery held in March 2017, is the backbone and inspiration to the latest Nadia Minkoff London collection

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“Howard Hodgkin’s powerful use of colour as well as his painted frames ,removing standard borders and boundaries, encouraged me to step out of my colour palette ‘comfort zone’ and produce a vibrant range of multi coloured, multi textured handbags.”

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Often described as a ‘slow artist’ in his early years, his paintings despite their apparent fluidity and spontaneity, took years if not months to complete.

“the whole idea of slow appeals to me greatly, at a time when society wants everything immediate, at the press of a button and increasingly faster I take comfort in the whole ‘slow’ movement. Our UK made Fitzrovia bags are exactly that: one at a time, slow, refined, tactile. I love them, not just visually or from a wearable point of view but because I know how much care has been invested in making each and every one”

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The Nadia Minkoff London ‘HH collection’ is now available to buy online and through leading stockists in the UK and worldwide